It’s utterly beautiful to watch, tender and emotionally jarring. Much of the plot follows Banks and Donnelly through a series of “sessions”-basically intergalactic therapy appointments-with the aliens, which look like giant squid behind frosty museum glass, and express themselves like squid might, too, with airborne sprays of wispy black ink-like stuff, spelling out circular patterns in whatever atmosphere suspends them.
while wearing bulky orange HAZ-MAT suits. Their objective: figure out how to communicate with the craft’s alien “heptapods”. After twelve UFOs arrive on Earth, US Army Colonel Weber (Forest Whitaker) choppers a team of scientists up to Montana, where they hit the ground running at a military command post at the foot of a towering, coffee-bean-shaped spaceship. The film, like Chiang’s original story, explores linguistic relativity-the Sapir-Whorf hypothesis that a language fundamentally affects its speakers’ worldview and cognition. It premiered three days after the election. Today, Chiang is more famous than ever, thanks in no small part to the production company behind Stranger Things, 21 Laps, and Lights Out screenwriter Eric Heisserer, who spent nearly five years adapting “Story of Your Life” into a screenplay, from which acclaimed Sicario director Denis Villeneuve created Arrival, an exquisite and surreal film starring Amy Adams and Jeremey Renner. Campbell Award for Best New Writer, named after a man Isaac Asimov once called “the most powerful force in science fiction ever.” In the years since, Chiang’s nabbed many other notable honors, including another Nebula in 1998 for his novelette, “Story of Your Life.” He went on to earn the genre’s Rookie of the Year nod-the John W.
Ted Chiang’s name has elevated heart-rates among sci fi fans since 1990, when Omni ran his breakout story, “Tower of Babylon,” which won that year’s coveted Nebula award and introduced the writer to an eager and embracing readership.
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